Furious Fiction June 2022 winner and shortlist
A writer (you’ve probably never heard of) once said, “all the world’s a stage” and in this round’s Furious Fiction challenge, all of the entrants
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A writer (you’ve probably never heard of) once said, “all the world’s a stage” and in this round’s Furious Fiction challenge, all of the entrants
After moving from Sydney to a rural beef cattle property, Paula Stevenson found she had more time to devote to writing. Inspired by the stunning bushland in her new home and the with the arrival of her grandchildren, she became was inspired to write her own picture books and enrolled in Writing Picture Books at the Australian Writers’ Centre.
What are the dos and don’ts about approaching publishers at a festival? Australian Writers’ Centre CEO Valerie Khoo lays out the tips you need to
Kelly Rimmer is the author of historical and contemporary fiction, including The German Wife, The Secret Daughter, The Things We Cannot Say, and The Warsaw Orphan, with
Meet Pamela Hart, author of An A-list for Death and discover the burgeoning world of cosy mysteries. Also: should you re-write a book that’s already
No one loved making forts more than Ricky. A fort was a place of safety and possibility. It shut out the world and enclosed her
By Diane Connell. If you had visited my high school and asked my English teacher to point out the student least likely to end up
If you’ve ever wanted to offer PR services to your clients but you’ve never really known what PR is or how to offer it, this
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its
Bettina Deda originally started writing to find out more about her family history and to share their stories with her sons. With the help of Patti Miller’s Life Writing course, Bettina began to explore her own memories and experiences, culminating in the publication of her memoir Dare to Dance, published by Vpi Publishing.
Ever come home from a writers’ festival disappointed by the number of other writers you connected with? Sometimes it’s got more to do with the
Rebecca Lee is the author of author of How Words Get Good: The Story of Making a Book. She’s also an editorial manager at Penguin Random
Meet author Karen Foxlee and illustrator Freda Chiu, the creative duo behind Miss Mary-Kate Martin’s Guide to Monsters. How to edit your writing. And win
TWO MISSING WOMEN. ONE WITNESS. SO MANY LIES . . . This week’s giveaway book is the brand-new thriller by the “number-one bestselling and award-winning
By Allison Tait. When you’re beavering away on a manuscript, dreaming of being a published author, getting that first publishing deal can feel a million
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its
Alex Sarkis had enjoyed writing on the side as a hobby from her day job working in accounts. But after ten years of dabbling on her own, she decided it was time to look for guidance by enrolling in a writing course with the Australian Writers’ Centre.
Rae Cairns is a former youth worker who has turned to a life of crime… writing. She is fascinated with how ordinary people manage when
Meet Sarah Vaughan, author of Reputation and Anatomy of a Scandal, currently a hit on Netflix. How to prepare for your publicity campaign. And Anthony
Their secrets can’t stay buried forever… This week’s giveaway book comes from British-based Lisa Jewell – the number one bestselling author of thrillers The Family
By Allison Tait. “Write as though no-one’s watching.” “Your first draft doesn’t need to be perfect.” “Your first draft is just you telling the story
Rashida Tayabali had always wanted to write, but had been discouraged from studying journalism at university. While working as a marketing coordinator, she decided her maternity leave would be the perfect opportunity to rediscover her old passion. Inspired by a colleague who had done courses at the Australian Writers’ Centre, Rashida enrolled in Freelance Writing Stage 1 – and immediately her life changed.
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its
The best stories engage the reader – making you FEEL something. That emotion might involve being nervous for the fate of a character, angry at
Matthew Ryan Davies on his latest novel Things We Bury. How to make time to read. Jack Kerouac’s innovative writing method. And win copies of
A writer (you’ve probably never heard of) once said, “all the world’s a stage” and in this round’s Furious Fiction challenge, all of the entrants were indeed merely players. Here were the criteria: Each story had to begin with a sentence containing exactly SIX words. Each story had to include
After moving from Sydney to a rural beef cattle property, Paula Stevenson found she had more time to devote to writing. Inspired by the stunning bushland in her new home and the with the arrival of her grandchildren, she became was inspired to write her own picture books and enrolled in Writing Picture Books at the Australian Writers’ Centre.
What are the dos and don’ts about approaching publishers at a festival? Australian Writers’ Centre CEO Valerie Khoo lays out the tips you need to make a good impression and find the publisher that’s the right fit for your book.
Kelly Rimmer is the author of historical and contemporary fiction, including The German Wife, The Secret Daughter, The Things We Cannot Say, and The Warsaw Orphan, with more than 2 million copies of her novels sold to date. Her books have been translated into dozens of languages and have appeared on bestseller
Meet Pamela Hart, author of An A-list for Death and discover the burgeoning world of cosy mysteries. Also: should you re-write a book that’s already been published, our new seminar series and much more. You can listen to the episode below, on Apple Podcasts, on Spotify, or add the podcast RSS
No one loved making forts more than Ricky. A fort was a place of safety and possibility. It shut out the world and enclosed her and Ollie within any story she wanted to tell … This week’s giveaway book is The Improbable Life of Ricky Bird from author Diane Connell
By Diane Connell. If you had visited my high school and asked my English teacher to point out the student least likely to end up writing for a living, he would have pointed to me, the irritant sitting at the back of the classroom scribbling what I thought were hilarious
If you’ve ever wanted to offer PR services to your clients but you’ve never really known what PR is or how to offer it, this is the episode for you. Jules Brooke is one of Australia’s top publicists and PR coaches. She specialises in helping SMEs do their own PR
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, we’re throwing a T party…
Bettina Deda originally started writing to find out more about her family history and to share their stories with her sons. With the help of Patti Miller’s Life Writing course, Bettina began to explore her own memories and experiences, culminating in the publication of her memoir Dare to Dance, published by Vpi Publishing.
Ever come home from a writers’ festival disappointed by the number of other writers you connected with? Sometimes it’s got more to do with the actions you should take before and after the event! Join Australian Writers’ Centre CEO Valerie Khoo as she offers tips for preparing before the event
Rebecca Lee is the author of author of How Words Get Good: The Story of Making a Book. She’s also an editorial manager at Penguin Random House, with twenty years of experience managing hundreds of high profile books from delivery of manuscript to finished copies, signing off millions of words as
Meet author Karen Foxlee and illustrator Freda Chiu, the creative duo behind Miss Mary-Kate Martin’s Guide to Monsters. How to edit your writing. And win Lying Beside You by Michael Robotham. You can listen to the episode below, on Apple Podcasts, on Spotify, or add the podcast RSS feed manually to your
TWO MISSING WOMEN. ONE WITNESS. SO MANY LIES . . . This week’s giveaway book is the brand-new thriller by the “number-one bestselling and award-winning master of crime”, Michael Robotham. His latest is titled Lying Beside You, and we have three to be won. Here’s a quick synopsis: Twenty years
By Allison Tait. When you’re beavering away on a manuscript, dreaming of being a published author, getting that first publishing deal can feel a million miles away. But it happens! And, while sometimes publishing works in mysterious ways, the truth is that for most authors it’s about being in the
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, we have a weather report…
Alex Sarkis had enjoyed writing on the side as a hobby from her day job working in accounts. But after ten years of dabbling on her own, she decided it was time to look for guidance by enrolling in a writing course with the Australian Writers’ Centre.
Rae Cairns is a former youth worker who has turned to a life of crime… writing. She is fascinated with how ordinary people manage when faced with extraordinary circumstances, and the lengths everyday characters will go when all they love is put at risk. She writes crime with heart; thriller
Meet Sarah Vaughan, author of Reputation and Anatomy of a Scandal, currently a hit on Netflix. How to prepare for your publicity campaign. And Anthony Trollope’s secret to writing. You can also win The Family Remains by Lisa Jewell. You can listen to the episode below, on Apple Podcasts, on
Their secrets can’t stay buried forever… This week’s giveaway book comes from British-based Lisa Jewell – the number one bestselling author of thrillers The Family Upstairs and Then She Was Gone. Her latest book is The Family Remains. Here’s a quick synopsis: LONDON. Early morning, June 2019 – on the
By Allison Tait. “Write as though no-one’s watching.” “Your first draft doesn’t need to be perfect.” “Your first draft is just you telling the story to yourself.” There’s a lot of information around about first drafts and how they can be messy embryos of a polished idea. What’s more difficult
Rashida Tayabali had always wanted to write, but had been discouraged from studying journalism at university. While working as a marketing coordinator, she decided her maternity leave would be the perfect opportunity to rediscover her old passion. Inspired by a colleague who had done courses at the Australian Writers’ Centre, Rashida enrolled in Freelance Writing Stage 1 – and immediately her life changed.
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, you’ve got mail… Q: Hey
The best stories engage the reader – making you FEEL something. That emotion might involve being nervous for the fate of a character, angry at a detective missing a vital clue, sad at a loss, or rolling in fits of laughter. While most of these emotions must be earned through
Matthew Ryan Davies on his latest novel Things We Bury. How to make time to read. Jack Kerouac’s innovative writing method. And win copies of The Novel Project by Graeme Simsion. You can listen to the episode below, on Apple Podcasts, on Spotify, or add the podcast RSS feed manually to your
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